cefvigo gallery
   
 
             VARI CARAMÉS

   
     
 
     
     
     
   
   

(TEXT FROM THE BOOK)

I must go to the oculist at once, the dog broke my glasses and I'm getting more and more shortsighted. Sometimes it's a pleasure for me not to see perfectly because those imperfect images generate my favourite visions. It was foggy yesterday and I couldn't take any pictures. I didn't have a camera and I didn't have a film either. I wish it weren't true and I could have taken those pictures but I wasn't there and that's essential, like the football player, you have "to be there" to score the goal.
Chance and intuitive talent are indispensable weapons for me and, of course for my photos.
What could I talk about? My favourite photographs? Oh! A whole lot! Of course I admit not only the influence of many photographers but also of many creative areas, many people and "life" in general.
Photography is like any other (artistic) expression, although I will never understand the meaning of the word "Art" and even less the meaning of "artist".
I always get bored with "intellectuals" (especially those who speak about photography).
I'm sceptical by nature though not pessimistic, I try to laugh as often as I can (I love the sense of humour in life). In my photographs there is always a fixation: the window, which in most cases is an imaginary one. The window as a symbol of watching, scrutinizing, seeing the world or life as if "through", "from inside, from outside".
I think people never see things in their depth, and not even in their surface and that's where magic is, where the dream is...
Anybody can take a picture, and that's great. Therefore it's a polular instrument (for me the model of the camera will never have an influence on the quality of the photo).
I like it to be versatile and capable of reproduction. Life is a journey for me. The other day I read in a book a beautiful statement I identify myself with: "I'm a child of the road, a caravan is my country and the most unexpected vogaye my life is". Amin Maalouf.
In my opinion everything has already been done and invented a long time ago. That's why definitions, formulas, tyles and so on are not needed anymore.
I'm particularly fond of everything intemporal, indefinite, ethereal and oid. I've never liked new suits. I prefer abstractions and deffects with effects.
Mystery is the mist of things, of everything around us.
I love what I cannot see. I'd rather keep the intimate, a smell, a fragrance, an absence... All these things are just contradictions but I need them to keep on living Maybe life is a kind of memories album whose pages are pregnant with experiences.
Let's hope experiences never die!

Vari Caramés

   
 

(TEXT FROM VARI CARAMÉS BECAUSE OF HIS ENTRY IN CEFVIGO'S GALLERY. YEAR 2001)

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I need to have fun, to be constantly surprised, to make photographs is a game of chance.
I feel attracted by the challenge to get substance from nothing. I don't need a great photographic equipment. Actually there are times when I don't even need the camera.
I have a good time testing different cameras, films, papers etc. I'm not afraid to make a mistake, perhaps it is necessary to get lost in order to be found. My subjects are close, the weather (specially bad weather, the rain). Everyday things surprise me when I find out there's a mystery hidden behind them.
The timeless fascinates me, fear of death? The dark zones, the indefinite, the objects, there's poetry in all of them.
I discover the world through photographs.
To photograph is to browse, to laze around and to discover.
I think that photography, like the other ways of expression, needs other languages to be richer and stronger, there are no rules, no limits. Only passion and madness
I adore jazz. Miles Davies
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